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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / clement meadmore

Halo: Clement Meadmore

Clement Meadmore

Clement Meadmore (1929-2005), sculptor, was born in Melbourne and studied aeronautical engineering and industrial design at the Royal Melbourne Institute of Technology.

2 portraits in the collection

Clement Meadmore

Clement Meadmore

Clement Meadmore

Clement Meadmore, c. 1978

Portrait, type C photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program

Halo: Clement Meadmore

Halo: Clement Meadmore

Halo: Clement Meadmore

Halo: Clement Meadmore, 2001 (printed 2019)

Portrait, inkjet print on paper

Collection: National Portrait Gallery
Purchased 2019

Carma, 2019 Narelle Zeller

Carma, 2019

Portrait of Ron Robertson-Swann

Ron Robertson-Swann OAM

Ron Robertson-Swann (b. 1941), sculptor, teacher and painter, studied at the National Art School (NAS) under Lyndon Dadswell in the late 1950s.

1 portrait in the collection

Barry Humphries

Clifton Pugh

Previous exhibition, 2005

This exhibition offers a comprehensive display of Clifton Pugh's portraits revealing his development and growth from tonal paintings to a unique style that was in demand from politicians, artists, academics and Australian personalities.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Group photograph taken at the coronation of King George VI including Queen Elizabeth II, Duke and Duchess of Gloucester and the Queen Mother, 12 May 1937 by Hay Wrightson

Poise and Carats

About Face article

I keep going back to Cartier: The Exhibition at the National Gallery of Australia next door, and, within the exhibition, to Princess Marie Louise’s diamond, pearl and sapphire Indian tiara (1923), surely one of the most superb head ornaments ever conceived.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency